It’s true that, since she took the helm of Chanel in 2019, I have generally found Virginie Viard’s work to be… let’s say, “uneven.” For every haute couture high, there’s a ready-to-wear low; for every sublime Métiers d’Art piece of handiwork, there’s a bafflingly disjointed commercial … Continue reading
I love timeless fashion and trends that make sense, art and design